![]() In Dominik Moll’s subtle, razor-sharp thriller, the anxieties of family living become a grotesque set of obstacles and a gruesome series of murders. And Harry is disappointed to discover that in the years that followed, the young Michel, who had so much potential, has become saddled with a busted car, a disapproving spouse, needy children, and overbearing parents.īut to Harry, there’s no problem that cannot be fixed. These are our picks for the 25 best thrillers of the 21st century (so far), presented in chronological order.Ī chance encounter to a public restroom reintroduces Michel ( Laurent Lucas) to an old high school friend named Harry ( Sergi Lopez), and even though Michel has no memory of Harry, Harry remembers everything about him. Still, the excellent thrillers we have been getting are fascinating, gripping examinations of our contemporary fears, our daily phobias, and our curious obsessions with crime, violence, sex, and shame. It’s been an intriguing genre to track over the last two decades, as spectacle films increasingly ruled the box office and straightforward stories about murder and kidnapping gradually migrated to television. Of course, even with all that said, there’s still a lot of death, dismemberment and torture to be found in the best thrillers of the 21st century. RELATED: The Best Thrillers on Netflix Right Now The events of a thriller may be highly unlikely, but they could, at least in an impressionistic way, happen in the real world. Once magic or science-fiction works its way into the storyline, the film becomes less about normal people surviving harrowing situations and more about the mechanics of the fantasy world it now inhabits. Thrillers are generally about confronting our fears of staying alive, the anxieties and paranoias that plague us every day, and the consequences we fear that prevent us from living more exciting, albeit dangerous lives. There’s a reason the body count is usually much higher in a conventional horror movie. Horror movies are generally about confronting our fears of death. There’s a lot of overlap, but it’s worth noting that “thrillers” aren’t necessarily “horror movies” either. Will they survive? Will they prove their innocence? Will life ever be the same again? We demand the answers to these questions because, as strange and contrived as situations in a thriller can get, the protagonists closely resemble most of the people in the audience, who don’t seek out danger and worry about what would happen if it befell us anyway. They are typical stories of seemingly normal people, suddenly thrust by circumstance or their own sins into perilous situations. But those are the types of intense, suspenseful situations we come to expect from films with the “thriller” label.
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